The Banshee story.
Kansas City roots. A sound that traveled. Meet the players and trace the songs through four decades.
The songs.
The players.
Four players met in a Kansas City warehouse. Their songs took Banshee from the local stage to Metal Blade, Atlantic and MTV.
The voices and lineups changed. The records kept coming. Follow the band from the first five songs to the heavier sound of Mindslave and The Madness.
Every era.
Still Banshee.
Pick a chapter. Follow the records, the shows and the people who made them.
Four players. One warehouse.
Banshee takes shape in a Kansas City music store warehouse in the summer of 1985. Singer Tommy Lee Flood and bassist Chuck Hopkins come from Lick. Guitarist Terry Dunn comes from Frodo, and drummer Kent Burnham from Crypt Keeper. Those four players form the first lineup.
- Band-supplied biography

Read the full history All 19 chapters
- 1985
Four players. One warehouse.
Banshee takes shape in a Kansas City music store warehouse in the summer of 1985. Singer Tommy Lee Flood and bassist Chuck Hopkins come from Lick. Guitarist Terry Dunn comes from Frodo, and drummer Kent Burnham from Crypt Keeper. Those four players form the first lineup.
- Band-supplied biography
- 1986
The first five songs
The band puts out Cry in the Night through its own Snowblind label. Flood, Dunn, Hopkins and Burnham set down five tracks, including We Want You and Back Your Way. The EP gives their live sound a record of its own and draws interest beyond the Midwest.
- Original band website archive
- Divebomb Records
- 1988
Metal Blade picks up the EP
Metal Blade releases Cry in the Night again in 1988. A record that began as a band release now reaches the label’s wider metal audience. Its mix of high vocals, hard riffs and short, direct songs becomes the first chapter many listeners hear.
- Original band website archive
- No Life Til Metal label history
- 1988
We Want You leads the charge
We Want You opens Metal Massacre IX. The compilation places Banshee alongside bands from across the metal underground. For fans finding new music through the Metal Blade series, it offers a three-minute introduction to the Kansas City band.
- Band archive and label track list
- No Life Til Metal
- Late 1980s
Bill Westfall joins on bass
After Hopkins leaves, Kansas City bassist Bill Westfall joins Flood, Dunn and Burnham. This lineup makes Race Against Time and Take ’Em by Storm. Westfall’s place in the band also appears in the period promo photographs preserved in the archive.
- Original band biography
- No Life Til Metal label history
- 1989
Race Against Time
Banshee signs with Atlantic through A&R man Jason Flom. Race Against Time follows in 1989, with eleven tracks and a broader melodic sound. Flood’s voice and Dunn’s guitar lead the record, backed by Westfall and Burnham. The songs range from Missing You to the fast title track.
Explore the record - 1989
On Headbangers Ball
Shoot Down the Night brings Banshee to MTV’s Headbangers Ball. The video gives the group a national screen as the Atlantic album reaches listeners. The song remains a link between the band’s metal roots and the more melodic side of Race Against Time.
Explore the record - 1993
Back on their own label
After the Atlantic period, Banshee releases Take ’Em by Storm on Snowblind in 1993. Color Me, Fight and Memories form part of a set written during the years around the major-label record. The band parts ways soon after, leaving three releases for fans to seek out.
- Original band website archive
- Divebomb Records
- 1999–2000
The songs return to the stage
Kansas City reunion shows bring Banshee back together around the turn of the century. The band’s history records shows in 1999 and 2000, followed by a small remastered CD run. The early records keep finding listeners while the players work on other projects.
- Band-supplied biography
- No Life Til Metal reunion notes
- 2008
Back together at Rocklahoma
Flood, Dunn and Burnham return for Rocklahoma with Tyson Leslie on bass. The festival puts the old songs in front of a live crowd again. Dunn later credits Leslie with stepping in for the show and helping make the reunion work.
- 2008
Another turn for Take Em by Storm
A new edition of Take ’Em by Storm adds Live for Music (The Slam). The band’s old website offers the first three releases again on CD and through digital stores. Fans can return to the records while the group starts looking toward new material.
- Original band website and MySpace archive
- 2011
George Call steps to the mic
Dunn begins working with George Call, known for ASKA and Omen. Their partnership changes the voice of Banshee and opens a heavier chapter. In his 2020 interview, Dunn describes hearing Call sing and knowing he wanted him on the next record.
Explore the record - 2012
A heavier voice on Mindslave
Call, Dunn, Hopkins and drummer Marty Schiermann record Mindslave for Snowblind. Songs written between 2007 and 2012 draw on real events and harder subjects. Dunn and Call work on the lyrics together. Hopkins returns to the bass role he held on the first EP.
Explore the record - 2018
Mindslave reaches vinyl
No Life Til Metal gives Mindslave a new vinyl and CD edition on August 31. Rob Colwell handles the remaster, with layout by Scott Waters. The release brings the heavier record back into print after its first limited CD run.
Explore the record - 2019
Inside The Madness
The Madness arrives on July 9 through Visionary Noise. Its three acts move from Crash Landing through Shattered Sanity to Healing. Call and Dunn are joined by Scot Sutherland and Paul Thompson. Steve Susman contributes lyrics and serves as executive producer; Dunn produces the record.
Explore the record - 2020
The old records keep moving
Take ’Em by Storm returns on vinyl and CD through No Life Til Metal on January 17. Rob Colwell remasters the audio, and the CD adds a new booklet with photos and liner notes. The reissue gives another generation a way into the 1993 songs.
Explore the record - 2021
Saving the tapes. Adding a new voice.
Dunn and Hopkins recover the early master tapes and have them transferred to digital. During that work, Call records a new vocal for Cry in the Night. Keith Knight adds backing vocals, and Hopkins takes the recordings to Rainbow Studios in Omaha for the mix.
Explore the record - 2023
Storm the Gates
Storm the Gates follows as a single on September 24, 2023. It adds another song to a catalog that now spans the warehouse days, the Atlantic album, the reunions and the records with George Call. The music carries the story forward.
Explore the record - 2024
Cabal CD reissues
Cabal Records releases new CD editions. Its Mindslave remaster arrives on April 8. The Madness and a CD pairing Race Against Time with Cry in the Night follow on May 20. The label also lists 2024 remasters of Race Against Time and Take ’Em by Storm.
Explore the record
The players.
George CallVocals
The voice on Mindslave and The Madness. Call brings his work with ASKA and Omen to Banshee, and writes with Dunn.
Tommy Lee FloodVocals
The lead voice on Cry in the Night, Race Against Time and Take ’Em by Storm. Flood and Dunn built the first Banshee songs together.
Terry DunnGuitar · Founder
The Kansas City guitarist who started Banshee. From the first EP through The Madness, his riffs and songs form the core of the band.
Chuck HopkinsBass
The original bassist. Hopkins played on Cry in the Night and returned for Mindslave. He later worked with Dunn to preserve the early master tapes.
Bill WestfallBass · Keys
Westfall followed Chuck Hopkins on bass and played on Race Against Time and Take ’Em by Storm.
Scot SutherlandBass
Sutherland plays bass on The Madness.
Tyson LeslieBass
Leslie joined the band on bass for the 2008 shows, including Rocklahoma.
Vinnie E. ParmaDrums
Banshee’s drummer in the lineup listed on the band’s current site.
Kent BurnhamDrums
A founding member from St. Joseph, Missouri. His drums drive the first EP and the two albums that followed.
Marty SchiermannDrums
The drummer credited in the Mindslave band lineup, alongside Dunn, Call and Hopkins.
Paul ThompsonDrums
Thompson plays drums on The Madness.
In the reviews.
Three records. Three takes.
Read the full reviews for context.
“a highly commercial melodically infused rock/metal blend”
“George Call is a fantastic vocalist”
“a very cohesive sound”
The history has a soundtrack.

